28 September 2015 A.D. Wikipedia: Contemporary Christian Music
28 September 2015 A.D. Wikipedia:
Contemporary Christian Music
Contemporary
Christian music
From Wikipedia, the
free encyclopedia
Contemporary Christian music (or CCM—and
occasionally "inspirational music")
is a genre of modern popular music
which is lyrically focused on matters concerned with the Christian faith. It formed as those affected by
the 1960s Jesus movement
revival began to express themselves in a more contemporary style of music than
the hymns, Gospel and Southern Gospel music that was prevalent in the
church at the time. Today, the term is typically used to refer to pop, rock, or praise & worship
styles.It has representation on several music charts including Billboard's Christian Albums, Christian Songs, Hot Christian AC (Adult Contemporary), Christian CHR, Soft AC/Inspirational, and Christian Digital Songs as well as the UK's Official Christian & Gospel Albums Chart. Top-selling CCM artists will also appear on the Billboard 200. In the iTunes Store, the genre is represented as part of the Christian and gospel genre.[1]
Contents
History
The genre became known as contemporary Christian music as a result of the Jesus movement revival in the latter 1960s and early 1970s,[2] and was originally called Jesus music.[3] "About that time, many young people from the sixties' counterculture professed to believe in Jesus. Convinced of the bareness of a lifestyle based on drugs, free sex, and radical politics, 'hippies' became 'Jesus people'".[4] However there were people who felt that Jesus was another "trip".[4] It was during the 1970s Jesus movement that Christian music started to become an industry within itself.[5] "Jesus Music" started by playing instruments and singing songs about love and peace, which then translated into love of God. Paul Wohlegemuth, who wrote the book Rethinking Church Music, said "[the] 1970s will see a marked acceptance of rock-influenced music in all levels of church music. The rock style will become more familiar to all people, its rhythmic excesses will become refined, and its earlier secular associations will be less remembered."[6]Though there were Christian albums in the 1960s that contained contemporary-sounding songs, there were two albums recorded in 1969 that are considered[by whom?] to be the first complete albums of "Jesus rock": Upon This Rock (1969) by Larry Norman initially released on Capitol Records,[7] and Mylon – We Believe by Mylon LeFevre, released by Cotillion, which was LeFevre's attempt at blending gospel music with southern rock.[8][9] Unlike traditional or southern gospel music, this new Jesus music was birthed out of rock and folk music.[10]
Pioneers of this movement also included Keith Green, 2nd Chapter of Acts, Barry McGuire, Andraé Crouch and the Disciples, Evie, Benny Hester,[11][12] and The Imperials, among others. The small Jesus music culture had expanded into a multi-million-dollar industry by the 1980s.[13][14][15] Many CCM artists such as Benny Hester,[16][17] Amy Grant,[18] DC Talk,[19] Michael W. Smith,[20] Stryper,[21] and Jars of Clay[22] found crossover success with Top 40 mainstream radio play.
The genre emerged and became prevalent in the 1970s and 1980s.[23] Beginning in July 1978, CCM Magazine began covering "Contemporary Christian Music" artists and a wide range of spiritual themes until it launched online publications in 2009.[24][25]
It has certain themes and messages behind the songs and their lyrics including Praise and worship, faith, encouragement, and prayer.[26] These songs also focus on themes of devotion, inspiration, redemption, reconciliation, and renewal.[2] Many people listen to contemporary Christian music for comfort through tough times. The lyrics and messages conveyed in CCM songs are aimed to evangelize and to worship Jesus.[23] One of the earliest goals of CCM was to spread the news of Jesus to non-Christians.[2] In addition, contemporary Christian music also strengthens the faith of believers.[2]
Style and artists
Contemporary Christian music has influences from folk, gospel, pop and rock music.[23] Genres of music such as soft rock, folk rock, alternative, hip-hop, etc. have played a large influence on CCM.[27]Charismatic churches have had a large influence on contemporary Christian music and are one of the largest producers of CCM. Hillsong Church is one of the many prominent CCM artists.[28] Contemporary Christian music has also expanded into many subgenres.[23] Christian punk, Christian hardcore, Christian metal, and Christian hip hop, which, although not normally considered CCM, can also come under the genre's umbrella.[13] Contemporary worship music is also incorporated in modern CCM. Contemporary worship is both recorded and performed during church services.
Artists who assisted CCM to become popular were Amy Grant, Michael W. Smith, Phil Keaggy and John Elefante.[23] Several mainstream artists, such as The Byrds, Bob Dylan, Van Morrison, Elvis Presley, Creed, Lifehouse and U2, have dealt with Christian themes in their music, yet are not part of the CCM industry.[13] Other artists representing the genre include MercyMe, Casting Crowns, Jeremy Camp, Third Day, Matthew West, tobyMac, Chris Tomlin, Brandon Heath and Aaron Shust. Historically, Jars of Clay, dc Talk, Steven Curtis Chapman and Newsboys have also belonged to this genre.
Controversy
Contemporary Christian music has been a topic of controversy in various ways since its beginnings in the 1960s.[13] The Christian college Bob Jones University discourages its dormitory students from listening to CCM.[29] Others simply find the concept of Christian pop/rock music to be an unusual phenomenon, since rock music has historically been associated with themes such as sexual promiscuity, rebellion, drug and alcohol use, and other topics normally considered antithetical to the teachings of Christianity.[13] This controversy caused by evangelical pop music was explored by Gerald Clarke in his Time magazine article "New Lyrics for the Devil's Music".[30]
Some writers from the Reformed Presbyterian tradition assert that the inclusion of CCM in a worship service violates the second commandment and the Regulative Principle of Worship because it adds man-made inventions, lyrics and instrumental music to the biblically appointed way of worshipping God.[31]
Contemporary Christian musicians and listeners have sought to extend it into settings where religious music traditionally might not be heard.[vague] MercyMe's song "I Can Only Imagine" was a crossover success despite having a clear Christian message.[32]
Paul Baker, author of Contemporary Christian Music, addressed the question, "Is the music a ministry, or is it entertainment? The motives, on both sides, were nearly always sincere and well intentioned, rarely malicious."[33]
"The responsibility of the church is not to provide escape from reality," according to Donald Ellsworth, the author of Christian Music in Contemporary Witness, "but to give answers to contemporary problems through legitimate, biblical means."[34]
Many studies on church growth show that churches have grown in size after changing the style of music.[35] James Emery White, a consultant for preaching and worship within the Southern Baptist Convention, made a statement about how many churches that changed styles to using more contemporary Christian music, appeared to have a quicker growth.[36]
Growth
The contemporary Christian music industry has grown over the years. Album sales have increased from 31 million in 1996 to 44 million sales in 2000. Since EMI's purchase of Sparrow Records, sales have increased 100 percent. However, the main goal of the label continues to be aspiring to make a positive impact on the world through contemporary Christian music. The company has given back money to the CCM community.[37]See also
- Christian
alternative rock
- Christian hip hop
- Christian metal
- Christian rock
- Contemporary
worship music
- Hearitfirst.com
- Latin Christian music
Notes
1. Jump up ^ In the US iTunes store, the section is entitled
Christian & Gospel. In the UK iTunes store, it's Gospel.
Canada's and Australia's iTunes section is entitled Inspirational.
2. ^ Jump up to: a b c d Banjo, Omotayo O., and
Williams, Kesha Morant. "A House Divided? Christian Music in Black and
White." Journal of Media & Religion 10.3 (2011): 115-137.
Academic Search Complete. Web. February 8, 2014.
3. Jump up ^ Forbes, Bruce David, and Jeffrey H. Mahan. Religion
and Popular Culture In America. Berkeley, Calif: University of California
Press, 2000. eBook Collection (EBSCOhost). Web. February 8, 2014.
4. ^ Jump up to: a b Frame, John M. Contemporary
Worship Music. Phillipsburg, NJ: P&R Publishing, 1997.
5. Jump up ^ Powell, Mark Allan (2002).
Encyclopedia of Contemporary Christian Music. Peabody, Massachusetts:
Hendrickson Publishers. p. 10. ISBN 1-56563-679-1.
By the '80s, the special-interest network that Jesus music had spawned had
developed into a multimillion-dollar industry. Contemporary Christian music had
its own magazines, radio stations, and award shows. The Jesus movement revival
was over.
6. Jump up ^ Baker, Paul. Page 140. Contemporary
Christian Music: Where it came from What it is Where It's Going.
Westchester, Illinois: Crossway Books, 1985. Print.
9. Jump up ^ Powell, Mark Allan (2002).
Encyclopedia of Contemporary Christian Music. Peabody, Massachusetts:
Hendrickson Publishers. p. 520. ISBN 1-56563-679-1.
Musically, the 1970 album Mylon (a.k.a. We Believe) is deservedly a Christian
classic, a raw example of down-home southern rock. A dominant organ, spicy
guitars, and generous use of female background vocals give the project a
funky-and-gritty combination of R&B soul and roots rock.
10.
Jump up ^ Di Sabatino, David (1999).
The Jesus People Movement: an annotated bibliography and general resource. Lake
Forest, CA: Jester Media. p. 136.
12.
Jump up ^ "CCMs 500 Best Albums - Benny Hester / Be A
Receiver, 1978". CCMs500BestAlbums.WordPress.com.
13.
^ Jump up to: a b c d e "By the '80s, the
special-interest network that Jesus music had spawned had developed into a
multimullion-dollar industry. Contemporary Christian music had its own
magazines, radio stations, and award shows. The Jesus movement revival was
over:" p. 10
14.
Jump up ^ "It's a long way from 'Jesus music' to CCM
industry". Canadianchristianity.com. Retrieved January
26, 2013.
16.
Jump up ^ Billboard Top 50 Adult Contemporary Chart - Nov 7,
1981 - 'Nobody Knows Me Like You' Debuts #44 Mainstream.
Billboard.com.
23.
^ Jump up to: a b c d e Nantais, David. "What
Would Jesus Listen To?" America 196.18 (2007): 22–24. Music Index.
Web. February 6, 2014.
26.
Jump up ^ Adedeji, Femi. "Essentials of Christian
Music in Contemporary Times: A Prognosis." Asia Journal of Theology
20.2 (2006): 230-240. Academic Search Complete. Web. February 8, 2014.
27.
Jump up ^ Mumford, Lawrence R. "A variety of
religious composition: the music we sing, in and out of church, is more varied
and interesting than we've been led to believe." Christianity Today June
2011: 42+. Fine Arts and Music Collection. Web. February 8, 2014.
28.
Jump up ^ Evans, Mark. Studies in Popular Music :
Open up the Doors : Music in the Modern Church. London: Equinox
Publishing Ltd , 2006. eBook.
32.
Jump up ^ Adams, Ramsay (July 6, 2003).
"Christian Rock Crosses Over". Fox News. Retrieved October
6, 2010.
33.
Jump up ^ Baker, Paul. Page 133. Contemporary
Christian Music: Where it came from What it is Where It's Going.
Westchester, Illinois: Crossway Books, 1985. Print.
34.
Jump up ^ Ellsworth, Donald. Christian Music in
Contemporary Witness: Historical Antecedents and Contemporary Practices. Grand
Rapids, Michigan: Baker Book House, 1979. Print.
35.
Jump up ^ Fast Facts about American Religion.
Hirr.hartsem.edu (May 6, 1998). Retrieved on 2013-09-04.
36.
Jump up ^ Miller, Steve. The Contemporary Christian
Music Debate. Wheaton, Illinois: Tyndale Publishers, 1993. Print. p.3
37.
Jump up ^ Black, Beau. "CCM's growing pains: a
survey of labels finds the message--if not the creativity--is intact.
(music)." Christianity Today March 11, 2002: 75+. Fine Arts and
Music Collection. Web. February 8, 2014.
Further reading
- Alfonso, Barry. The Billboard Guide to
Contemporary Christian Music. Billboard Books, 2002.
- Beaujon, Andrew (2006). Body
Piercing Saved My Life: Inside the Phenomenon of Christian Rock.
Cambridge,
Massachusetts: Da Capo Press. ISBN 0-306-81457-9.
- Di Sabatino, David (1999). The Jesus People
Movement: An Annotated Bibliography and General Resource. Bibliographies
and Indexes in Religious Studies, Number 49. Westport, CT: Greenwood Press. ISBN 0-313-30268-5.
- Du Noyer, Paul (2003). "Contemporary Christian
Music". The Billboard Illustrated Encyclopedia of Music. New York City: Billboard Books.
pp. 422–423. ISBN 0-8230-7869-8.
- Granger, Thom (2001). CCM Presents: The 100 Greatest
Albums in Christian Music. Nashville: CCM Books.
- Hendershot, Heather (2004). "Why Should the
Devil Have all the Good Music? Christian Music and the Secular
Marketplace". Shaking the World for Jesus: Media and Conservative
Evangelical Culture. Chicago, Illinois: University
of Chicago Press. ISBN 0-226-32679-9.
- Howard, Jay R; Streck, John M. (1999). Apostles of
Rock: The Splintered World of Contemporary Christian Music. Lexington,
Kentucky: The University
of Kentucky Press. ISBN 0-8131-9086-X.
- Joseph, Mark (1999). The Rock and Roll Rebellion:
Why People of Faith Abandoned Rock Music-- And Why They're Coming Back.
Nashville: Broadman & Holman.
- Joseph, Mark (2003). Faith, God & Rock 'n' Roll.
London: Sanctuary.
- Kyle, Richard
(2006). "If You Can't Beat 'em Join 'em". Evangelicalism :
an Americanized Christianity. New
Brunswick, New Jersey:
Transaction Publishers. pp. 281–286. ISBN 0-7658-0324-0.
- Lucarini, Dan. Why I left the Contemporary Christian
Music Movement. Evangelical Press.
- Miller, Steve (1993). The Contemporary Christian
Music Debate. Tyndale House.
- Powell, Mark Allan (2002). Encyclopedia of
Contemporary Christian Music. Peabody,
Massachusetts: Hendrickson Publishers.
ISBN 1-56563-679-1.
- Romanowski, William D. Eyes Wide Open: Looking
for God in Popular Culture. Brazos Press, 2001.
- Sears, Gordon E. Is Today's Christian Music
Sacred? Coldwater, Mich.: [s.n., 199-?]. 32, [1] p. Without ISBN
- Young, Shawn David, Hippies, Jesus Freaks, and Music
(Ann Arbor: Xanedu/Copley Original Works, 2005. ISBN 1-59399-201-7.
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