March c. 690 A.D.—Present. Exeter Cathedral Prior, Exeter, Devon, UK—Anglo-Saxons, c. 690; Benedictines, c. 932; Episcopal Diocesan Cathedral, 1050; Norman-Gothic Cathedral Church of St. Peter Built 1112-1400; 178 Miles SW of London, About 1900 as the Crow Flies
March c. 690 A.D.—Present. Exeter Cathedral
Prior, Exeter, Devon, UK—Anglo-Saxons, c. 690; Benedictines, c. 932; Episcopal
Diocesan Cathedral, 1050; Norman-Gothic Cathedral Church of St. Peter Built
1112-1400; 178 Miles SW of London, About 1900 as the Crow Flies
Exeter Cathedral
From Wikipedia, the free
encyclopedia
Exeter
Cathedral, the Cathedral Church of Saint Peter at Exeter, is an Anglican cathedral, and the seat of the Bishop of Exeter, in the city of Exeter, Devon, in South West England.
The present building was
complete by about 1400, and has several notable features, including an early
set of misericords, an astronomical clock and the longest uninterrupted vaulted ceiling in England.
Contents
History
The cathedral in 1830
The founding of the cathedral at Exeter, dedicated to Saint Peter, dates from 1050, when the seat of the bishop of Devon and Cornwall was transferred from Crediton because of a fear of sea-raids. A Saxon minster already existing within the town (and dedicated
to Saint Mary and Saint Peter) was used by Bishop Leofricas his seat, but services were often held out of
doors, close to the site of the present cathedral building.
In 1107 William Warelwast, a nephew of William the Conqueror, was appointed to the see, and this was the
catalyst for the building of a new cathedral in the Norman style. Its official foundation was in 1133,
during Warelwast's time, but it took many more years to complete.[1] Following the appointment of Walter Bronescombe as bishop in 1258, the building was already
recognized as outmoded, and it was rebuilt in the Decorated Gothic style, following the example of nearby Salisbury. However,
much of the Norman building was kept, including the two massive square towers
and part of the walls. It was constructed entirely of local stone, including Purbeck Marble. The new cathedral was complete by about 1400,
apart from the addition of the chapter house and chantry chapels.
Like most English
cathedrals, Exeter suffered during the Dissolution of the Monasteries, but not as much as it would have done had it been
a monastic foundation. Further damage was done during the English Civil War, when thecloisters were destroyed. Following the restoration of Charles II, a new pipe organ was built in the cathedral by John Loosemore. Charles II's sister Henrietta Anne of England was baptised here in 1644. During the Victorian era, some refurbishment was carried out by George Gilbert Scott.
As a boy, The composer
Matthew Locke was trained in the choir of Exeter Cathedral, under Edward
Gibbons, the brother of Orlando Gibbons. His name can be found scribed into the stone
organ 'screen'.
On 4 May 1942 an early-morning air raid took
place over Exeter. The
cathedral sustained a direct hit by a large high-explosive bomb on the chapel
of St James, completely demolishing it. The muniment room above, three bays
of the aisle and two flying buttresses were also destroyed in the blast. The
medieval wooden screen opposite the chapel was smashed into many pieces by
the blast, but it has been reconstructed and restored.[2] Many of the cathedral's most important artifacts,
such as the ancient glass (including the great east window), the misericords,
the bishop's throne, the Exeter Book, the ancient charters (of King Athelstan
and King Edward the Confessor) and other precious documents from the library
had been removed in anticipation of such an attack. The precious effigy of
Bishop Bronscombe had been protected by sand bags.[3] Subsequent repairs and the clearance of the area
around the western end of the building uncovered portions of earlier
structures, including remains of the Roman city and of the original Norman cathedral.
Notable features
The interior of Exeter Cathedral looking east
toward the organ
The quire looking east toward the Lady Chapel
Notable features of the
interior include the misericords, the minstrels' gallery, the astronomical
clock and the organ. Notable architectural features of the interior include
the multi-ribbed ceiling and the compound piers in the nave arcade.[4]
The 18 m (59 ft)
high bishop's throne in thequire was made from Devon oak between 1312 and 1316;
the nearby choir stalls were made by George Gilbert Scott in the 1870s. The east window contains much
14th-century glass, and there are over 400 ceiling bosses, one of which
depicts the murder of Thomas Becket. The bosses can be seen at the peak of the
vaulted ceiling, joining the ribs together.[5] Because there is no centre tower, Exeter
Cathedral has the longest uninterrupted medieval vaulted ceiling in the
world, at about 96 m (315 ft).[2]
Misericords
One of the misericords, depicting a pipe and
tabor player
The fifty misericords are the earliest complete set in the United
Kingdom.[6] They date from two periods: 1220–1230 and
1250–1260. Amongst other things, they depict the earliest known wooden
representation of an elephant in the UK. Also, unusually for misericords of
this period,[citation needed] they have supporters.
Minstrels' gallery
The minstrels' gallery in the nave dates to around 1360 and is unique in
English cathedrals. Its front is decorated with 12 carved and painted angels
playing medieval musical instruments, including the cittern, bagpipe, hautboy, crwth, harp, trumpet, organ, guitar, tambourine and cymbals, with two others which are uncertain.[7]
Astronomical clock
The clock
The Exeter Cathedral Astronomical Clock is one of the group of famous 14th- to
16th-centuryastronomical clocks to be found in the West of England. Others are at Wells, Ottery St Mary, and Wimborne Minster.
The main, lower, dial is the
oldest part of the clock, dating from 1484.[2] The fleur-de-lys 'hand' indicates the time (and the position of
the sun in the sky) on a 24-hour analogue dial. The numbering consists of two sets of I-XII Roman numerals. The silver ball and inner dial shows both the
age of the moon and its phase (using a rotating black shield to indicate the
moon's phase). The upper dial, added in 1760, shows the minutes.[2]
The Latin phrase Pereunt et Imputantur, a
favourite motto for clocks and sundials, was written by the Latin poet Martial. It is usually translated as "they perish
and are reckoned to our account", referring to the hours that we spend,
wisely or not. The original clockwork mechanism, much modified, repaired, and
neglected until it was replaced in the early 20th century, can be seen on the
floor below. The door below the clock has a round hole near its base. This
was cut in the early 17th century to allow entry for the Bishop's cat to
deter vermin that were attracted to the animal fat used to lubricate the
clock mechanism.[2]
Library
Si quis
illum inde abstulerit eterne subiaceat maledictioni. Fiat. Fiat.
(If any one removes this he shall be eternally cursed. So be it! So be it!)
The Lady Chapel of Exeter Cathedral
The library began during the
episcopate of Bishop Leofric (1050–72) who presented the cathedral with 66
books, only one of which remains in the library: this is the Exeter Book (Exeter Cathedral Library MS 3501) of Anglo-Saxon
poetry.[9] 16 others have survived and are in the British Library, the Bodleian Library or Cambridge University Library. A 10th-century manuscript of Hrabanus Maurus's De
Computo and Isidore of Seville's De Natura Rerum may have belonged to Leofric also
but the earliest record of it is in an inventory of 1327. The inventory was
compiled by the Sub-Dean, William de Braileghe, and 230 titles were listed.
Service books were not included and a note at the end mentions many other
books in French, English and Latin which were then considered worthless. In
1412-13 a new lectrinum was fitted out for the books by two carpenters
working for 40 weeks. Those books in need of repair were repaired and some
were fitted with chains. The catalogue compiled in 1506 shows that the
library furnished some 90 years earlier had 11 desks for books. The most
beautiful manuscript in the library is a Psalter (MS. 3508) probably written
for the Church of St Helen at Worcester in the early 13th century).[10]
The earliest printed book in
the library is represented by only a single leaf: this is Cicero's De officiis (Mainz: Fust and Schoeffer,
1465–66).[10] There is a good collection of early medical
books, part of which came in 1948 from the Exeter Medical Library (founded
1814), and part on permanent loan from the Royal Devon and Exeter Hospital
(1300 volumes, 1965). A catalogue of the cathedral's books made in 1506
records over 530 titles, of which more than a third are service books.[10] In 1566 the Dean and Chapter presented to
Archbishop Matthew Parker a manuscript of the Anglo-Saxon Gospels which had
been given by Bishop Leofric;[11] in 1602 81 manuscripts from the library were
presented to Sir Thomas Bodley for theBodleian Library at Oxford. In 1657 under the Commonwealth the
Cathedral was deprived of several of its ancillary buildings, including the
reading room of 1412-13. Some books were lost but a large part of them were
saved due to the efforts of Dr Robert Vilvaine, who had them transferred to
St John's Hospital. At a later date he provided funds to convert the Lady
Chapel into a library, and the books were brought back. By 1752 it is thought
the collection had grown considerably to some 5,000 volumes, to a large
extent by benefactions. In 1761 the Dean Charles Lyttelton describes it as having over 6,000 books and some
good manuscripts. He describes the work which has been done to repair and
list the contents of the manuscripts. At the same time the muniments and
records had been cleaned and moved to a suitable muniment room.[10]
In 1820 the library was
moved from the Lady Chapel to the Chapter House. In the later 19th century
two large collections were received by the Cathedral, and it was necessary to
construct a new building to accommodate the whole library. The collections of Edward Charles Harington and Frederic Charles Cook were together more than twice the size of the
existing library, andJohn Loughborough Pearson was the architect of the new building on the site
of the old cloister. During the 20th century the greater part of the library
was transferred to rooms in the Bishop's Palace, while the remainder was kept
in Pearson's cloister library.[10]
Bells
The South Tower - This is where the 12 bells
hang.
Both of the Cathedral's
towers contain bells. The North Tower contains an 80cwt Bourdon Bell, called
Peter. Peter used to swing but it is now only chimed.[12] The South Tower contains the second heaviest peal
of 12 bells hung for change ringing in the world, with a tenor weighing
72-2-2 (3684 kg).[13] There is also two semitone bells in addition to
the peal of 12.[14]
Clergy
·
Canon Precentor – Vacant by the resignation of The Revd Canon Carl Turner
in August 2014 to take up a post as Rector of St Thomas, Fifth Avenue, New
York (installed 2001; also Acting Dean, May 2011–March 2012)
·
Residentiary Canon - The Revd Canon John Searle (since installation on 11
September 2014)
Burials
·
Edmund Stafford, Lord Privy Seal, Lord Chancellor, Baron Stafford and Bishop of Exeter (1395–1419)
·
Edmund Lacey, Bishop of Exeter (1420-1455), whose tomb had
been a shrine, but which was walled over during the Reformation, fragments
were uncovered during the Baedeker Blitz[18]
·
Ofspring Blackall (1655-1716), Bishop of Exeter (1708-1716) buried
on the southern side of the choir in an unmarked grave
·
John Ross (1719-1792), Bishop of Exeter (1778-1792) buried
in the south aisle of the choir, the place being marked by a flat tombstone
and the inscription 'J. R., D.D., 1792.'
·
Sir Gawen Carew
·
Peter (Pierre) of Courtenay (1126-1183), youngest son of Louis VI of
France and his second Queen consort Adélaide de Maurienne.
·
Sir Peter Carew (?1514–1575) is not buried in the Cathedral, but
is commemorated by a mural monument.
Effigies of
Hugh Courtenay, 2nd Earl of Devon, and his wife Margaret de Bohun
Holy relics
It is recorded in an
11th-century missal that King Athelstan had brought together a great collection of holy
relics at Exeter Cathedral; sending out emissaries at great expense to the
continent to acquire them. Amongst these items were a little of the bush in which the Lord spoke
to Moses, and a bit
of the candle which the angel of the Lord lit in Christ's tomb.[19]
Legends
According to the
semi-legendary tale, Agnes Prest, during her brief time of liberty in Exeter
before her execution in 1557, met a stonemason repairing the statues at the
Cathedral. She stated that there was no use repairing their noses, since
"within a few days shall all lose their heads".[20] There is a memorial to her and another Protestant
martyr, Thomas Benet, in the Livery Dole area of Exeter. The memorial was designed by Harry Hems and raised by public subscription in 1909.[21]
Wildlife
The tube web spider Segestria florentina, notable for its iridescent shiny green fangs,
can be found within the outer walls. The walls are made of calcareous stone,
which decays from acidic pollution, to form cracks and crevices which the
spider and other invertebrates inhabit.[22]
Music
Organists
Recorded names of organists
at Exeter go back to Matthew Godwin, 1586. Notable organists at Exeter
Cathedral include Victorian composer Samuel Sebastian Wesley, grandson of Methodist founder and hymn-writer Charles Wesley educator Ernest Bullock and conductor Thomas Armstrong.
Organ
The Cathedral organ stands
on the ornate medieval screen, preserving the old classical distinction
between quire and nave. The first organ was built by John Loosemore in 1665. There was a radical rebuild by Henry Willis in 1891, and again by Harrison & Harrison in 1931.[24] The largest pipes, the lower octave of the
32 ft Contra Violone, stand just inside the south transept. The organ has one of only three trompette militaire stops in the country (the others are in Liverpool Cathedral and London's St Paul's Cathedral), housed in the minstrels' gallery, along with a chorus of diapason pipes.[23]
In January 2013 an extensive
refurbishment began on the organ, undertaken by Harrison and Harrison. The
work consisted of an overhaul and a re-design of the internal layout of the
soundboards and ranks of the organ pipes.[25] In October 2014 the work was completed and the
organ was re-assembled, save for the final voicing and tuning of the new
instrument. [26]
See also
References
2. ^ Jump up to:a b c d e The Cathedral Church
of St Peter in Exeter. Printed leaflet distributed at the Cathedral. (2010)
4. Jump up^ Cothren, Marilyn Stokstad Michael W. (2010). Art History Portable, Book 4 14th-17th
Century Art. (4th ed., Portable ed. ed.). Upper Saddle River, NJ:
Prentice Hall.ISBN 0205790941.
5. Jump up^ Cothren, Marilyn Stokstad Michael W. (2010). Art History Portable, Book 4 14th-17th
Century Art. (4th ed., Portable ed. ed.). Upper Saddle River, NJ:
Prentice Hall. p. 554.ISBN 0205790941.
8. Jump up^ Rev Canon Edmonds (1899). "The Formation and Fortunes of Exeter Cathedral
Library". Report & Transactions of the
Devonshire Association 106: 36
9. Jump up^ Edward
Edwards (1901), Memoirs of Libraries, of Museums, and of Archives (2nd ed.), Newport, Isle of Wight,OCLC 3115657
10. ^ Jump up
to:a b c d e Lloyd, L. J. (1967) The Library of Exeter
Cathedral. Exeter: University of Exeter
11. Jump up^ Sayle,
Charles (1916). Annals of Cambridge University Library, 1278-1900. Cambridge: University Library.
p. 49 (footnote 3).
12. Jump up^ "Exeter Cathedral Bells". Exeter Cathedral - Bells &
Bellringers. Retrieved 2014-07-28.
19. Jump up^ Jusserand, J. J. (1891) English Wayfaring Life
in the Middle Ages. London: T. Fisher Unwin; p. 327.
20. Jump up^ John Foxe (1887 republication), Book of Martyrs, Frederick Warne and Co, London and New
York, pp. 242–44
21. Jump up^ Cornforth, David. "Livery Dole Martyr's Memorial". Exeter Memories. Retrieved 2011-12-17.
Sources
·
Addleshaw, Percy (1921). Bell's Cathedrals: The Cathedral Church
of Exeter (New and revised ed.). G. Bell & Sons, London. Online copy
·
Erskine, Audrey; Hope, Vyvyan; Lloyd, John (1988). Exeter Cathedral - A Short History and
Description. Dean and Chapter of Exeter Cathedral. ISBN 0-9503320-4-6.
Further reading
·
Henry, Avril K.; Hulbert, Anna C. "Exeter Cathedral Keystones & Carvings: A
Catalogue Raisonné of the Sculptures & Their Polychromy". Universities of Essex – History Data
Service. Retrieved 2010-08-23.
·
Barlow,
Frank, et al. (1972) Leofric
of Exeter: essays in commemoration of the foundation of Exeter Cathedral
Library in A.D. 1072; by Frank Barlow, Kathleen M. Dexter, Audrey M.
Erskine, L. J. Lloyd. Exeter: University of Exeter
·
Orme,
Nicholas (2009) Exeter
Cathedral: the first thousand years, 400-1550. Exeter: Impress ISBN 0-9556239-8-7 (a history of the successive churches on the site from
Roman to early Tudor times)
External links
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