14 September 1741 A.D. George Fredrick Handel finishes “The Messiah”
14 September 1741 A.D. George Fredrick Handel finishes “The Messiah”
The Rev. Dr. John Stott had "The Messiah" played over and over as his death approached. The Rev. Dr. Prof. James Innes Packer preached at Dr. Stott's funeral.
A wonderful rendition by the King’s College, Cambridge is available at: https://www.youtube.com/watch?v=AZTZRtRFkvk . It is 2 hours and about 40 minutes.
Handel was sent off to classical school. His father wanted him to be a lawyer. But, Handel was expressing interest in music, but his father forbad it, even burning some instruments in the home to foreclose further interest. However, a relative gave access to a clavichord to the young Handel.
Footnotes:
The Rev. Dr. John Stott had "The Messiah" played over and over as his death approached. The Rev. Dr. Prof. James Innes Packer preached at Dr. Stott's funeral.
A wonderful rendition by the King’s College, Cambridge is available at: https://www.youtube.com/watch?v=AZTZRtRFkvk . It is 2 hours and about 40 minutes.
Dr. Rusten tells the story.
Rusten, E. Michael and Rusten,
Sharon. The One Year Christian History.
Carol Stream, IL: Tyndale House Publishers, 2003.
George Frederick Handel was born
in 1685, the same year as Johann Sebastian Bach. Handel’s father was the town surgeon of a
suburb of Halle, Germany. His mother was the daughter of a Lutheran
pastor. Handel was baptized as a
Lutheran Churchman.Handel was sent off to classical school. His father wanted him to be a lawyer. But, Handel was expressing interest in music, but his father forbad it, even burning some instruments in the home to foreclose further interest. However, a relative gave access to a clavichord to the young Handel.
One day after Sunday worship, the
young Handel took to the organ. The Duke
heard the lad. The Duke encouraged the
father to expose the young George to musical studies in a formal way. The young Handel took lessons from the
organmeister of Liebenfrauerchkirche in Halle.
By age 12, Handel wrote his first composition. He was good enough to serve as a substitute
for the organmeister.
By 1702, respecting his father’s
wishes, he studied law at the University of Halle. He switched his
concentration, however, towards music.
In 1712, he moved to
England. His fortunes rose and fell with
varying monarchs as well as competition with English composers. He
struggled. The Church of England
criticized him for performing his oratorios in secular theaters, e.g. “Esther”
and “Israel in Egypt.”
By 1741, his health was failing.
But two events changed his fortunes:
1. He He was
given a libretto for a life of Christ with the Biblical words and
2.
3 Dublin
charities commissioned his musical production for various fund-raising events.
On 22 August 1741, he began composing “The Messiah.” 24 days later and
with 260 pages of music, he finished “The Messiah” on 14 September 1741. When
done, he sobbed saying, “Whether I was in the body or out of it when I wrote
it, I know not.”
The premiere performance was held
in Dublin on 13 April 1742. The proceeds of the charity event freed 142
from debtors’ prison.
In 1743, it was performed in
London. The King was present. When the “Hallelujah Chorus” began, England’s
King stood up as a sign of duty and respect for His Majesty—the King and Kings
and Lord of Lords. The audience followed
suit. The tradition prevails to this day.
Handel gave 30 performances of
“The Messiah.” One was done in a
church; John Wesley was in attendance.
Handel’s last performance of “The
Messiah” was on 6 April 1759. After the performance, Handel fainted at
the organ. 8 days later, he died.
Handel was buried in Westminster
Abbey. His statute with a manuscript of
Messiah in his hand says, “I know that my Redeemer liveth...”
He died in rented quarters. He died at 25 Brook Street in the
Mayfair Section of London in rented quarters.
He died here.
Colossians 3:16
1599
Geneva Bible (GNV)
16 Let the word of Christ
dwell in you plenteously in all wisdom, teaching and admonishing your own
selves, in [a]Psalms,
and hymns, and spiritual songs, singing with a grace in your hearts to the
Lord,
Footnotes:
a.
Colossians
3:16 By
Psalms he meaneth all godly songs, which were written upon divers occasions,
and by hymns, all such as contain the praise of God, and by spiritual songs,
other more peculiar and artificious songs which were also in praise of God, but
they were made fuller of music.
A wonderful rendition by
the King’s College, Cambridge is available at:
https://www.youtube.com/watch?v=AZTZRtRFkvk . It is 2 hours and about 40 minutes.
Questions:
1.
How often
do you listen to “The Messiah?” Easter?
Christmas? Where does it place in your
orbit of Christian music? Have you ever
had a course in the “history of sacred music?”
Does your church show respect for musical literacy, pipe organs and
sacred music?
2.
The Rev.
Dr. John Stott played this over and over as death approached. What music will you play or hear if you knew
you were terminally ill and near death?
3.
Or, will
it be wingnutted-rap-trap-cocaine-laced lyrics of CCM written by some
theological nitwit with no musical education or liturgical background (like
TBNers and Hillbilly gummers, drummers, strummers and illiterate bummers)?
4.
Or,
Psalms? Or, classical hymns? Or, what?
5.
Do you
understand what “standing” means in the military? (Juniors “stand” in the presence of
superiors, a long tradition.) Or, with the King of England “standing” when the
“Hallelujah Chorus” was sung?
6.
Are all
the tunes too difficult for a good choir?
E.g “He Shall Feed His Flock Like a Shepherd?”
7.
Would the
OT and NT canonical writers have enjoyed “The Messiah?” For example, Isaiah or any of the Gospel
writers? Or, St. Paul?
Sources:
Dinwiddie, Richard D. “Messiah:
Behind the Scenes of Handel’s Masterpiece.” CT. 26 (December 17, 1982): 12-20.
Fuller-Maitland, John Alexander,
and William Barclay Squire. “Handel, George Frederick.” DNB. 8: 1161-75.
Kavanaugh, Patrick. Spiritual Lives of the Great Composer. Rev.
ed. Grand Rapids, MI: Zondervan, 1996. 26-34.
MacMillan,
J.B. “Handel, George Frederic (1685-1759).” NIDCC. 450.
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